1. Charles Davis:
Kracauer Reloaded: The Matrix, Daydreams and the Radical Potential Link
Cultural Studies: From James Bond to Triumph the Insult Comic Dog Link
2. Danielle Dugue:
Black Male and Female Spectatorship in The Color Purple Link
Commentary on Balazs’ Film Theory Link
3. Harry Garcha:
Classical Hollywood and Its Excesses in a Different Cultural Context Link
Commentary on Film-Spectator Relations Link
4. Chloe Hamilton:
Quentin Tarantino: Unity Through Genre and Popular Culture Link
Weimar and Realist Film Theory: Kracauer Link
5. Luke Hasskamp:
Representation and Reality in Closer and Big Fish, or, How I Learned to Stop Worrying and Love Natalie Portman Link
The Evolution of the Language of Cinema and Classroom Discussion: Carol Donelan = Orson Welles Link
6. Karina Hill:
Inciting Action: The Techniques of Michael Moore as Compared with Sergei Eisenstein Link
If You Liked Andrew Bartel’s Commentary on Genre, Then You’ll Love Karina Hill’s Commentary on Genre Link
7. Gordie Lipton:
Kracauer Under Siege Link
Commentary on Narrative and Excess Link
8. Andy Slabaugh:
Wes Anderson: Genuine Auteur or Stylish Charlatan? Link
“Cinema Has Not Yet Been Invented!”: Andre Bazin’s Ontology of Film Link
9. James Vivian:
Bill Murray: Star as Author Link
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