2003 - 2004

1. Ivan Albertson:

Life and Death in the Photographic Medium Link

The Gendered Gaze: A Discussion of Film Spectatorship Link

2. Andrew Bartels:

The Myth of Total Photography and the Madness that Ensues Link

Somewhere Between Heaven and Hell...is Genre Link

3. Britta Blodgett:

Making the Cut: Auteur Theory and Satyajit Ray Link

Revealing the Soul: Balázs and the Close-Up Link

4. Gregg Ciprioni:

One Hundred Years of Solitude: Hypothetical Film Adaptations by Eisenstein and Bazin Link

Ideology: Scholarship and Master Narratives Link

5. Jonathan Kayes:

Joie de Vivre, Joie de Découpage: André Bazin's Amélie Link

A Partial Explanation of Semiotics Link

7. Sabrina Larsen:

Valentino's Ambiguity: Gaze Theory and the Disruption of Sexual Difference in Blood and Sand Link

The Lay of the Land: Bazin's Revision of the Landscape of Film History Link

8. Gio Messner:

Fractured Identity: Masculinity and Male Spectatorship in Gladiator Link

The Discourse of the Digital Link

9. Katie Mileusnic:

Mr. Eisenstein: Sergei Eisenstein's Status as a Teacher Link

What's the Difference? Spectatorship and RaceLink

10. Fouzia Najar:

Reordering the Gaze: Subjectivity and Objectification in Murder, My Sweet Link

The Early Films of Sergei Eisenstein Link

11. Andy Nichols:

Films Possessed: Ideology and the Horror Film Link

Roland Barthes: The Genius of Photography Link

12. Greg Poduska:

Destroying and Rebuilding: The Ideology of Family in P.T. Anderson's Boogie Nights and Magnolia Link

Death and Asymptotes: The Ontological Theory of Bazin Link

13. Theo Stroomer:

Eisenstein and Mickey Mouse: A New Understanding of Vertical Montage Link

Metz's Psychoanalytic Theory and Blue Velvet Link

14. Ebony Winston:

Wes Craven: Horror Auteur Link

The Big Shift: Eisenstein's Late Theory Link