2004 - 2005

1. Charles Davis:

Kracauer Reloaded: The Matrix, Daydreams and the Radical Potential  Link

Cultural Studies: From James Bond to Triumph the Insult Comic Dog  Link

2. Danielle Dugue:

Black Male and Female Spectatorship in The Color Purple Link

Commentary on Balazs’ Film Theory  Link

3. Harry Garcha:

Classical Hollywood and Its Excesses in a Different Cultural Context  Link

Commentary on Film-Spectator Relations  Link

4. Chloe Hamilton:

Quentin Tarantino: Unity Through Genre and Popular Culture  Link

Weimar and Realist Film Theory: Kracauer  Link

5. Luke Hasskamp:

Representation and Reality in Closer and Big Fish, or, How I Learned to Stop Worrying and Love Natalie Portman Link

The Evolution of the Language of Cinema and Classroom Discussion: Carol Donelan = Orson Welles  Link

6. Karina Hill:

Inciting Action: The Techniques of Michael Moore as Compared with Sergei Eisenstein  Link

If You Liked Andrew Bartel’s Commentary on Genre, Then You’ll Love Karina Hill’s Commentary on Genre  Link

7. Gordie Lipton:

Kracauer Under Siege  Link

Commentary on Narrative and Excess  Link

8. Andy Slabaugh:

Wes Anderson: Genuine Auteur or Stylish Charlatan?  Link

“Cinema Has Not Yet Been Invented!”: Andre Bazin’s Ontology of Film Link

9. James Vivian:

Bill Murray: Star as Author  Link